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1 amoldarse a las necesidades de
(v.) = bend to + the needs ofEx. There is evidence to suggest that systems are bending to the needs of individual libraries.* * *(v.) = bend to + the needs ofEx: There is evidence to suggest that systems are bending to the needs of individual libraries.
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2 soso
adj.1 boring, dull, soggy, spiritless.2 tasteless, dull, flat, flavorless.3 drab, dull.m.bore, boring person.* * *► adjetivo1 (insípido) tasteless; (sin sal) unsalted2 figurado dull, insipid* * *(f. - sosa)adj.1) flavorless, saltless2) dull* * *ADJ1) (Culin) (=insípido) tasteless, insipid; (=sin sal) unsaltedestas patatas están sosas — these potatoes are unsalted o need more salt
2) (=aburrido, inexpresivo) dull, uninteresting* * *- sa adjetivob) <persona/película> boring, dull; < estilo> flat, drab* * *= dull, wishy-washy, lifeless, bland, insipid, party pooper, cut and dried [cut and dry], vapid, wet blanket.Ex. These librarians are given Haykin upon the day of their arrival and are expected to read the entire dull document and use it as a guideline in establishing subject headings.Ex. This is not the way for many wishy-washy persons who have never considered Cutter, probably one of the greatest librarians of his day.Ex. Despite the proliferation of biographies aimed at young adults which have lavish illustrations, easy-to-read print and attractive layout, most of them are lifeless and mediocre.Ex. While bending over backwards to avoid bias biographies present their subjects' lives in a bland and uninteresting way = Al hacer lo imposible por evitar la parcialidad, las biografías presentan las vidas de las personas de una forma sosa y poco atractiva.Ex. Otherwise, the result will probably be too small and insipid to be of any real use.Ex. He is a self-confessed party pooper, he doesn't drink, smoke, or do drugs and his only vices are caffeine, fatty foods, and the Internet.Ex. I don't like to hear cut-and-dried sermons -- when I hear a man preach, I like to see him act as if he were fighting bees.Ex. Television has become so vapid and devoid of information that I didn't see the point of watching the presidential debate.Ex. I can also remember a time when slurs were uttered about Jewish people and if you didn't laugh you were considered a wet blanket.----* sosa cáustica = caustic soda.* * *- sa adjetivob) <persona/película> boring, dull; < estilo> flat, drab* * *= dull, wishy-washy, lifeless, bland, insipid, party pooper, cut and dried [cut and dry], vapid, wet blanket.Ex: These librarians are given Haykin upon the day of their arrival and are expected to read the entire dull document and use it as a guideline in establishing subject headings.
Ex: This is not the way for many wishy-washy persons who have never considered Cutter, probably one of the greatest librarians of his day.Ex: Despite the proliferation of biographies aimed at young adults which have lavish illustrations, easy-to-read print and attractive layout, most of them are lifeless and mediocre.Ex: While bending over backwards to avoid bias biographies present their subjects' lives in a bland and uninteresting way = Al hacer lo imposible por evitar la parcialidad, las biografías presentan las vidas de las personas de una forma sosa y poco atractiva.Ex: Otherwise, the result will probably be too small and insipid to be of any real use.Ex: He is a self-confessed party pooper, he doesn't drink, smoke, or do drugs and his only vices are caffeine, fatty foods, and the Internet.Ex: I don't like to hear cut-and-dried sermons -- when I hear a man preach, I like to see him act as if he were fighting bees.Ex: Television has become so vapid and devoid of information that I didn't see the point of watching the presidential debate.Ex: I can also remember a time when slurs were uttered about Jewish people and if you didn't laugh you were considered a wet blanket.* sosa cáustica = caustic soda.* * *soso -sa1 ‹comida/sopa› (falto de sabor) bland, tastelessestá soso (sin sabor) it's bland o tasteless, it doesn't have much taste o flavor to it; (sin sal) it needs more salt, it doesn't have enough salt in it2 ‹persona/película› boring, dull3 ‹estilo› flat, drab* * *
soso◊ -sa adjetivo
( sin sal) it needs more salt
‹ estilo› flat, drab
soso,-a
I adjetivo
1 (sin sal) lacking in salt
(sin sabor) flavourless, tasteless
la comida está sosa, the food is tasteless
2 fig (sin gracia) bland, insipid, dull
es una mujer muy sosa, she's a bore
II sustantivo masculino y femenino bore: los dos son unos sosos, both of them are dull and boring
' soso' also found in these entries:
Spanish:
anodina
- anodino
- insípida
- insípido
- sopa
- sosa
English:
bland
- colourless
- drip
- flair
- flat
- flavorless
- flavourless
- insipid
- nondescript
- wishy-washy
- drab
- so
- tasteless
* * *soso, -a♦ adj1. [insípido] bland, tasteless;esta sopa está sosa this soup needs more salt;el guiso ha quedado muy soso the stew hasn't got much flavour2. [sin gracia] dull, insipid♦ nm,fdull person, bore* * *I adj tasteless, insipid; figdullII m, sosa f stick-in-the-mud fam* * *soso, -sa adj1) insípido: bland, flavorless2) aburrido: dull, boring* * *soso adj1. (sin gusto) bland / tasteless2. dull / boring -
3 Breuer, Marcel Lajos
[br]b. 22 May 1902 Pécs, Hungaryd. 1 July 1981 New York (?), USA[br]Hungarian member of the European Bauhaus generation in the 1920s, who went on to become a leader in the modern school of architectural and furniture design in Europe and the United States.[br]Breuer began his student days following an art course in Vienna, but joined the Bauhaus at Weimar, where he later graduated, in 1920. When Gropius re-established the school in purpose-built structures at Dessau, Breuer became a member of the teaching staff in charge of the carpentry and furniture workshops. Much of his time there was spent in design and research into new materials being applied to furniture and interior decoration. The essence of his contribution was to relate the design of furniture to industrial production; in this field he developed the tubular-steel structure, especially in chair design, and experimented with aluminium as a furniture material as well as pieces of furniture made up from modular units. His furniture style was characterized by an elegance of line and a careful avoidance of superfluous detail. By 1926 he had furnished the Bauhaus with such furniture in chromium-plated steel, and two years later had developed a cantilevered chair.Breuer left the Bauhaus in 1928 and set up an architectural practice in Berlin. In the early 1930s he also spent some time in Switzerland. Notable from these years was his Harnischmacher Haus in Wiesbaden and his apartment buildings in the Dolderthal area of Zurich. His architectural work was at first influenced by constructivism, and then by that of Le Corbusier (see Charles-Edouard Jeanneret). In 1935 he moved to England, where in partnership with F.R.S. Yorke he built some houses and continued to practise furniture design. The Isokon Furniture Co. commissioned him to develop ideas that took advantage of the new bending and moulding processes in laminated wood, one result being his much-copied reclining chair.In 1937, like so many of the European architectural refugees from Nazism, he found himself under-occupied due to the reluctance of English clients to embrace the modern architectural movement. He went to the United States at Gropius's invitation to join him as a professor at Harvard. Breuer and Gropius were influential in training a new generation of American architects, and in particular they built a number of houses. This partnership ended in 1941 and Breuer set up practice in New York. His style of work from this time on was still modern, but became more varied. In housing, he adapted his style to American needs and used local materials in a functional manner. In the Whitney Museum (1966) he worked in a sculptural, granite-clad style. Often he utilized a bold reinforced-concrete form, as in his collaboration with Pier Luigi Nervi and Bernard Zehrfuss in the Paris UNESCO Building (1953–8) and the US Embassy in the Hague (1954–8). He displayed his masterly handling of poured concrete used in a strikingly expressionistic, sculptural manner in his St John's Abbey (1953–61) in Collegeville, Minnesota, and in 1973 his Church of St Francis de Sale in Michigan won him the top award of the American Institute of Architects.[br]Principal Honours and DistinctionsAmerican Institute of Architects Medal of Honour 1964, Gold Medal 1968. Jefferson Foundation Medal 1968.Bibliography1955, Sun and Shadow, the Philosophy of an Architect, New York: Dodd Read (autobiography).Further ReadingC.Jones (ed.), 1963, Marcel Breuer: Buildings and Projects 1921–1961, New York: Praeger.T.Papachristou (ed.), 1970, Marcel Breuer: New Buildings and Projects 1960–1970, New York: Praeger.DY
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